The docu classic got jobbed by Oscar 20 years ago. Will it get a PFM Couch Of Fame cushion?

I don’t entirely disagree with Roger Ebert’s assessment, in his review of The Debt, that “the film jumps the rails towards the end.” The last sequence is highly unbelievable on several levels — the timing; …

I have a social-media etiquette question. Is it ever okay to tell someone the truth about why you unfollowed them on Twitter?
A little backstory here. “Nina” is a friend of mine from childhood. We were …

Death Race 45, Sarah 11; 1 of 24 categories completed
When “Blue Valentine” ended, I knew [Derek] Cianfrance had directed his actors, but I wasn’t sure he’d done the hard work of writing (he’s the cowriter).
Without …

A cable channel I watched frequently in the mid-nineties — I don’t remember which one; probably HBO — got the rights to It’s My Party, and the repellent promos, in which a woman simpered “it’s …

Silkwood has so many unexpected charms: that Karen Silkwood is not a saint, but a basically decent and courageous woman, and a feckless and sometimes bratty woman; Drew leaving, then coming back to tell her, …

Roger Ebert, though he feels more generously towards it than I, sums up my reaction to the movie in his January 6 review:
My problem with Gilliam’s films is that they lack a discernible storyline. I …