Articles by Sarah D. Bunting
Reader Rayvyn is shooting to kill with a Cusack joint.
One of the things I love best about 31 Films In 31 Days is the subpatterns that emerge.
The last scene in Happy Christmas — technically not a scene — is its best, and most frustrating.
I really wanted to like Gone Girl, and I thought I might reaaaaally hate it, because I gave up on the book 15 pages in.
I would love to ask the readers how I can find luggage that fits the following annoying criteria:
Nothing beats grudgingly watching one of the “Why’s this on here?”s in the ol’ Netflix queue and having an unexpectedly good time.
I watched Boyhood a couple of weeks ago, and I’ve been trying to find a way into my write-up ever since.
“But it’s still a true crime story bloated into looking significant,” David Edelstein sighs of Foxcatcher in his review, and I concur with the “bloated into looking significant” part while having to take issue with …