“I wrote 63 songs this year. They’re all about Jeter.” Just kidding. The game we love, the players we hate, and more.
From Norman Mailer to Wendy Pepper — everything on film, TV, books, music, and snacks (shut up, raisins), plus the Girls’ Bike Club.
Helping public schools, winning prizes, sending a crazy lady in a tomato costume out in public.
Monologues, travelogues, fiction, and fart humor. And hens. Don’t forget the hens.
The Tomato Nation advice column addresses your questions on etiquette, grammar, romance, and pet misbehavior. Ask The Readers about books or fashion today!
It’s long, it’s dull, Julie Andrews and Paul Newman have about as much chemistry as two stale cookies — and the score is completely nutty, too, with a bunch of chirpy oboes and blatty horns …
It’s not a particularly well-regarded Hitchcock; the charge usually leveled at the movie is that it’s too slow, but with the exception of the flower-cart scene, I disagree. It’s more that the plot is a …
One of those movies that’s sort of a trifle, but that works completely on that level. Plus, after you’ve seen Diner umptillion times, it’s gratifying to see the tertiary characters popping up again (aw, Bagel) …
Excellent movie, which I’d never seen before. So many scenes where you want to hit pause just to admire the shot. Orson Welles’s acting is a little off in spots, but it’s still really good …
I couldn’t get through it; I gave up an hour in. I really really liked Days of Heaven, and the meditative, fragmented way he puts the story together is very similar, but I just could …
It took me a while to get accustomed to Morris’s style of putting the story together; I hadn’t seen one of his films in a while and I forgot that they aren’t as straight-ahead as …
It sucked, made not one iota of sense, and had so much Tangerine Dream encrusted on the score that we could barely hear the sucky and nonsensical dialogue in the second place. Tempus will never …
So good! I was not bored for one single second, that chase scene with the giant crane was brilliant, and I thought Nick Stahl was pretty good too. My only complaint: Arnold should have left …
I liked this a lot. I don’t know what it is about these movies that makes me enjoy them so much; partly, it’s that the exposition isn’t draggy. The movies aren’t short, but they’re spare …
Evidently this movie was a big whoop twenty-odd years ago; it’s good, and everyone in it is very appealing — particularly Robert Duvall, who is much more sympathetic than he’s been in a while — …