Death Race 42, Sarah 14; 1 of 24 categories completed
You can’t come at a movie like TRON: Legacy with qualitative adjectives — or at least I can’t. I’ve never seen the original in its entirety, …

Death Race 45, Sarah 11; 1 of 24 categories completed
When “Blue Valentine” ended, I knew [Derek] Cianfrance had directed his actors, but I wasn’t sure he’d done the hard work of writing (he’s the cowriter).
Without …

You’re not an asshole, Mark. You’re just trying so HARD to be.
That presumed attempt to make Mark Zuckerberg marginally more likable to the audience is one of the few feet Aaron Sorkin’s The Social Network …

Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, …

The Movie: Backdraft
The Crush Object: Kurt Russell
The Story: The Netflix plot summary pretty much covers it: “[Firefighter] brothers Brian and Stephen McCaffrey (William Baldwin and Kurt Russell) are battling each other over past slights while …

The moment has come, my embittered and exhausted friends. Pull your eyes away from UPS’s tracking screen, yank that contested length of ribbon away from the feline in your life, and vote for the nadir …

Is it just me, or do filmmakers have A Thing about 22 Black on the roulette wheel?
On one hand, the likelihood that it’s just me is pretty high; 22 is my lucky number, so it’s …

The California that we get in this film is a greener, gayer update of the California that Woody Allen took such perfect potshots at, more than thirty years ago, in “Annie Hall,” the difference being …

My opinion of Jim Morrison is not a secret, but in case you’ve just arrived on Tomato Nation: hate. Morrison’s poet-shaman-of-the-bacchanal persona comes off to me as just that — a persona, sophomoric, obvious, contrived. …

I have a piece forming at the horizon of my mind, like a cloud that intends hail, about the tiresome undimensional treatment of the widow/er in contemporary Hollywood product, but it will have to wait …