It’s about what you’d expect from a Wes Anderson movie, in animated form: if you find his work twee, you’ll hate it, and if you like its offbeat charm, you’ll enjoy it.
It tries a little …

The acting is good across the board, in spite of writing that lurches between motivations and tempos like a car dropping out of gear. By that measure, it’s not Jeff Bridges, the presumptive Best Actor …

A more entertaining slate overall than the live-action shorts, by far.
Again, I’ll cover them in the order screened, along with the “highly commended” shorts that showed.
French Roast. A single joke, not terribly funny to begin …

It’s…fine. It has a few charming bits; the return of Jojo is predictable, but done well, and a funeral at the end has a sweet callback to a running sight gag. But the coda is …

It’s nice to see a heroine of color in a Disney movie, but I don’t know if Tiana spending the bulk of the story as a frog necessarily strikes a great blow for multiculturalism, not …

The Messenger is nominated for Best Original Screenplay; if it wins, Oren Moverman and Alessandro Camon should waste no time chopping the statue in half and handing it to Ben Foster and Woody Harrelson. The …

Roger Ebert, though he feels more generously towards it than I, sums up my reaction to the movie in his January 6 review:
My problem with Gilliam’s films is that they lack a discernible storyline. I …

Thanks to the IFC Film Center, I managed to knock off five movies in two hours last night — and pull ahead in the Death Race.
The live-action shorts, in screened order…
Kavi. The credits note that …

Absolutely hilarious.The dialogue tends to put British phrasings in the mouths of American characters, but this is more than made up for by all the clever bits: the unbe-liev-ably foul-mouthed rants coming from Malcolm; General …

Although the novel also drowned in a vat of syrup, Sebold got by for nearly 100 pages on the unsentimental clarity of her style and sustained verisimilitude of the narrator’s adolescent voice. Jackson demonstrates no …