Again With This, Emmy oversights, and the Girls’ Bike Club’s sad prescience.

Managers, Watchmen, and more stuff I’m thinking about.

The French Connection has kept itself in the classic-films discussion for the better part of five decades based on a single car chase.

A hooker with a heart of poppies.

Eddie Martin’s portrait of Aussie skate champs Ben and Tas Pappas, All This Mayhem, is edited well enough that it takes a while to realize how little it’s telling you.

It’s hard to describe what I found so appealing about Jerre Mangione’s The Dream And The Deal.

I know poppy-fu.

I wondered, at a certain point in Nathaniel Philbrick’s detailed narrative of Custer’s Last Stand, why he was spending such a long time on other soldiers in another company, on another hill, trying to survive …

Robert Greenfield’s Exile On Main St. is a season in hell with thirdhand gossip.

That’s goddamn right.